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Sites Sites 2020

Chaffois - Chapelle Notre-Dame du Mont

Chaffois - Chapelle Notre-Dame du Mont

N.D. du Mont

Built in 1946 at the top of a hill overlooking the village, this chapel dedicated to the Virgin Mary is more of an oratory than a chapel. This small concrete building is made up of a sort of neo-Gothic canopy with a square plan open on all four sides resting on a circular base and covered by a spire. A terrace allows you to walk around it and appreciate the landscape with a 360-degree view. In the center of the dais a statue of the Virgin Mary makes up the space.
The inscription “POSUERUNT ME CUSTODEM” means “They made me guardian of this place”.

GPS : 46,915413 / 6,276189

N.D. du Mont

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Sites Sites 2020

Chaffois - Église Notre-Dame-de-l’Assomption

Chaffois - Église Notre-Dame-de-l’Assomption
Eglise de Chaffois

Eglise de Chaffois

It is located in the upper part of the village of Chaffois, inside the enclosure of the old cemetery. Built between the end of the 18th century and the beginning of the 19th century, it underwent various repairs and transformations before being rebuilt after the fire of 1904.
Its structure consists of a bell tower-porch which opens onto a central nave and two collaterals; the whole is covered by ribbed vaults. Stained glass windows light the aisles and the choir. Here, no imperial roof for the bell tower but an octagonal spire. The facade incorporates some elements of classical architecture: pediment, columns, capitals… The interior is almost completely stripped of all ornamentation: an 18th century Christ on the cross – undoubtedly coming from the original building – represents the only sculptural element in the building.

GPS : 46,915599 / 6,269969

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Sites Sites 2018

La Planée - Église de l'Assomption-de-la-Vierge

La Planée - Église de l'Assomption-de-la-Vierge
Eglise de la Planée - Commons

Eglise de la Planée - Commons

In 2018 > Caroline BachmannChemin de croix

Tradition has it that the church of La Planée is one of the oldest in the Haut-Doubs forest.However, the first written mention of it only appears in the 14th century. And if this first building has been transformed and reworked over the centuries – the nave and the right aisle in the 17th century, the choir vault in the 16th century and the bell tower-porch in the 19th century – the current church still retains some traces of it at the level of the ribbed vaults of the nave for example.

Text by Joël GUIRAUD

GPS : 46,840628 / 6,282027

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Sites Sites 2018 Sites 2024

Les Pontets - Église de la Visitation-de-Notre-Dame

Les Pontets - Église de la Visitation-de-Notre-Dame
Eglise des Pontets - Commons
  

In 2024 > Jeanne TARA

In 2018 > BENC’est écrit dans la Bible

One cannot talk about the village of Les Pontets without mentioning the local child, “the philosopher of Pontets”, Théodore Jouffroy, born in Les Pontets in 1796. Member of Parliament for Pontarlier from 1831 to 1839, brilliant academic, he taught philosophy in the most prestigious French schools, at the Faculty of Letters in Paris, then at the École Normale and the Collège de France. Today little known, even forgotten, he was nevertheless in his time a personality recognized by his peers: Ernest Renan spoke of “the beautiful pages of this desperate philosopher” and Sainte-Beuve emphasized “intelligence to an excellent degree, intelligence in that it is broad, deep and collected, perfectly clear and clarified… by Mr. Jouffroy”. In fragile health, exhausted by his duties, he died in Paris in 1841 at 45 years of age.
The Pontets church, placed under the name of the Visitation of Notre-Dame, and located in the enclosure of the old cemetery, was built in 1845 on the site of an old chapel.
The bell tower-porch, topped by a roof with a polygonal spire flanked by four pinnacles, opens onto a nave extended by an apse choir. The four bays of the nave are separated from the aisles by columns with cylindrical shafts on which groined vaults rest. Semi-circular stained glass windows illuminate the aisles and the choir. Wooden paneling covers the walls of the choir and the aisles.
We can note the presence of interesting furniture coming partly from the old building: a Christ on the cross (17th century), a preaching pulpit of which only the panels of the tank remain, a painting of the Virgin and Child known as the Rosary, a 1850 copy of a painting by Murillo made by the painter Desaugiers, the sacristy furniture, a second Christ on the cross, two gilded wooden statues (Saint Joseph and the ‘Immaculate Conception). There is no altarpiece in the choir or on the side aisles.

Text by Joël GUIRAUD

GPS : 46,719791 / 6,172172

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Sites Sites 2018

La Cluse-et-Mijoux - Chapelle de Montpetot

La Cluse-et-Mijoux - Chapelle de Montpetot

In 2018 > Jérôme LEUBABat­tle­field 126

This small building is made up of a single nave, a gallery and a choir. A few steps and a gate separate the nave from the choir. While the nave is covered by a simple ceiling, a ribbed vault painted with historic motifs covers the choir, the walls of which are decorated with woodwork bearing numerous ex-votos.
In the choir, behind the altar, an altarpiece populated with cherubs and largely polychrome, takes up the classic architectural vocabulary. A statuette of the Virgin Mary is inserted in a niche in the central part of the altarpiece. Several statues stand in the nave and on the altarpiece.
The entire building is covered by a gable roof and a small bell tower surmounts the entrance.

Text by Joël GUIRAUD

GPS : 46,861924 / 6,391762

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Sites Sites 2018

Les Fourgs - Chapelle du Tourillot

Les Fourgs - Chapelle du Tourillot
Chapelle du Tourillot - Commons

In 2018 > Francesco Finizio3 points, c’est tout

This small chapel consists of a rectangular nave extended by a choir with a flat apse. Bays topped by a semicircular arch light the nave. There is no vault but a ceiling to cover the nave and the choir. No furniture in this chapel with its-more-than modest decor, apart from a handcrafted altar in the choir, chairs and benches for the faithful. A statue of Our Lady of Lourdes adorns the side wall of the choir, behind the altar. Outside, a small bell tower housing a statue of Our Lady of Lourdes tops the roof on the facade.
The entrance door is framed by two columns supporting a triangular pediment. On the apse wall, a scroll bears the date of the blessing of the chapel.

Text by Joël GUIRAUD

GPS : 46,831101 / 6,413254

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Sites Sites 2018

Les Hôpitaux-Vieux - Chapelle Sainte-Philomène

Les Hôpitaux-Vieux - Chapelle Sainte-Philomène
Chapelle des Hôpitaux-Vieux - Commons

Chapelle des Hôpitaux-Vieux - Commons

In 2018 > Ariane EparsMonument

This chapel is a completely modest building, both in its proportions and in its decor: it consists of a single nave extended by a paneled choir. A series of paintings evoking different episodes from the life of the Virgin occupy the blind walls of the nave. The chapel is dedicated to Saint Philomena: this young woman was the subject of worship from 1805 to 1961 after the discovery of bones found in 1802 in the catacomb of Priscilla, in Rome.
An inscription “Filumena” (transcribed as Philomena) was taken for the name of the buried person, herself identified as a young virgin girl and martyr in the enthusiasm of the time without however having any historical certainty. A painting representing this young woman is attached to the bedside wall of the choir.

Text by Joël GUIRAUD

GPS : 46,789706 / 6,369870

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Sites Sites 2018

Les Villedieu - Église Saint-Joseph

Les Villedieu - Église Saint-Joseph
Eglise des Villedieu - Commons

In 2018 > Denis SavaryFumée

Located on the side of the road and placed under the name of Saint Joseph, this church was the subject of various developments and repairs in the 19th and 20th centuries. Its plan is similar to many other churches of this period and this region: a bell tower-porch covered by an imperial roof – an architectural arrangement characteristic of this region -, on a nave with three naves extended by the choir.
Several pieces of liturgical furniture are classified as Historic Monuments, including a 17th century crucifix and the tabernacle door. On the other hand, the preaching pulpit and the communion barrier were removed during work.

Text by Joël GUIRAUD

GPS : 46,728243 / 6,246291

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Sites Sites 2018 Sites 2024

Châtelblanc - Église de la Nativité-de-Notre-Dame

Châtelblanc - Église de la Nativité-de-Notre-Dame
Eglise de Chatelblanc - Commons

Eglise de Chatelblanc

  

In 2024 > Gilles FURTWÄNGLER

In 2018 > Sylvie AuvrayLes bâtons d’Alexandre

It was not until the 17th century that Chatelblanc had its own chapel built at the initiative of the lord Pierre Blondeau and consecrated in 1665 by Antoine I de Grammont, archbishop of Besançon.
This building quickly proved too cramped to accommodate all the faithful. The chapel was enlarged at the end of the 18th century but was destroyed by a fire as well as the presbytery and several houses in 1759. Immediately restored, it was partially destroyed by a new fire in the village in 1775. It was again restored then enlarged and redeveloped in 1827.
The current church, dedicated to the Nativity of Notre-Dame, was built from 1854 to 1861 according to the plans of the architect Painchaux from Besançon who had chosen a classic Latin cross plan: a bell tower-porch opens onto a single nave with 3 bays covered by a barrel vault, a transept and a choir. The architectural decor remains faithful to the 19th century tradition by borrowing all its elements from antiquity. It houses several interesting works: a statue of Saint Alexander, a painting of the Annunciation (on the wall at the apse of the choir) and the shrine containing the relics of Saint Alexander. According to the inventory of the primitive chapel it does not seem that the current furniture elements come from the first chapel apart from the side altars, the preaching pulpit, the statues and the choir painting undoubtedly recovered in the church of the Eighteenth century.
As soon as the relics of Saint Alexandre were translated to Chatelblanc (September 29, 1684), the faithful present noted various irrational manifestations considered miraculous. Each year, the anniversary of the translation became an opportunity to organize a more or less frequent pilgrimage: 8000 people in 1784, 3000 in 1834, 5000 in 1884, 2000 in 1934.

Text by Joël GUIRAUD

GPS : 46,673250 / 6,114818

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Sites Sites 2018

Chapelle-des-Bois - Église Saint-Jean-Baptiste

Chapelle-des-Bois - Église Saint-Jean-Baptiste

Eglise de Chapelle-des-Bois - Commons

Eglise de Chapelle-des-Bois - Commons

In 2018 > Jérôme HentschJalousie

Until 1445 and despite often difficult climatic conditions, the inhabitants of Chapelle-des-Bois had to go to services in Chaux-Neuve or Mouthe. Hence the decision, in 1628, to build a chapel in Chapelle-des-Bois under the name of Saint-Jean-Baptiste, whose statue welcomes the visitor upon entry.
Completed in 1639, this chapel was consecrated in 1665 by Monseigneur Antoine-Pierre I de Grammont. At the request of the inhabitants, the chapel finally became a church in 1746.
Located inside the cemetery, the Saint-Jean-Baptiste church was remodeled several times and a sacristy was added in the 19th century. It is quite typical of mountain churches with its massive exterior appearance further reinforced by buttresses; several small openings light this building which remains quite low.

GPS : 46,597654 / 6,114175

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Sites Sites 2018 Sites 2024

Oye-et-Pallet - Église Saint-Nicolas

Oye-et-Pallet - Église Saint-Nicolas
Eglise de Oye-et-Pallet - CommonsEglise d'Oye-et-Pallet, retable - Commons
  

In 2024 > Anne FISCHER

In 2018 > Nino LAISNÉ3 cœurs

Until the Revolution, the inhabitants of Oye-et-Pallet depended on the parish of Saint-Etienne de Pontarlier and had to go to services in Pontarlier. It was only in 1494 that they were granted permission to build a church which nevertheless remained vicarial of Pontarlier. It is, in its current form, the result of modifications and transformations carried out over the centuries.
It is located in the upper part of the village in the enclosure which delimits the cemetery. It is made up of an 18th century bell tower (1749) covered by an imperial roof made of glazed tiles and opening onto a nave made up of a central nave, two aisles, and a choir. The first two bays of the central vessel were built at the end of the 15th century (1494) and the other two at the end of the 15th century. The third bays of the aisles were built in the 17th century and the second and fourth at the end of the 18th century. The choir is also from the 18th century (1712). The whole is covered by ribbed vaults whose arches rest on the dividing pillars between the aisles and the central nave.
The interest of this small church lies in the altarpiece of the main altar with a pediment and twisted columns around which vine branches and golden grapes wind. In the center, an unsigned painting representing the patron of the parish, Saint Nicholas, undoubtedly bishop of Myra in Anatolia. Its legend is rich in miraculous and legendary events, the best known of which is that of the three children killed and put in the salt pan by a butcher and resurrected by Saint Nicholas (the painting on the main altar).
The tabernacle of the main altar is also a very interesting work created in 1716, by François Gagelin, carpenter and wood sculptor. The woodwork of the altarpiece continues in the aisles in the form of half-height paneling.

All of the abstract stained glass windows were made in 1956 by young master glassmaker Paul Virilio on the designs of the painter Serge Rezvani.

Text by Joël GUIRAUD

GPS : 46,854445 / 6,331968

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Pontarlier - Chapelle Notre-Dame de l'Espérance

Pontarlier - Chapelle Notre-Dame de l'Espérance
Chapelle de l'Espérance - Commons

In 2018 > David BoenoLa signature du soleil

Notre-Dame de l’Espérance Chapel has stood there since 1861, by the will of Father Lallemand, parish priest of Pontarlier. He wanted to thank the Virgin for having granted a prayer: in 1854, he had promised her a statue if the city was spared from the scourge of cholera (donations from the faithful made it possible to surpass the original project). From Mount Molar, where she is located, above the chapel, the Mother of God would continue to extend her protection over the city… The building, in neo-Gothic style (Louis Girod, architect) is in fact summoned of a statue of the Virgin (due to the Pontissalian sculptor Favier).
The construction of a bell tower and the purchase of a bell were part of the project. Said bell was purchased and baptized in 1948. It was Mr. Constant VANNOD of Labergement who was responsible for carrying out the work.

GPS : 46,896475 / 6,357003

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Sites Sites 2016 Sites 2024

Remoray-Boujeons - Église de la Nativité-de-Notre-Dame

Remoray-Boujeons - Église de la Nativité-de-Notre-Dame
Eglise de Boujeons - Pmau / CommonsEglise de Boujeons - Pmau/Commons
  

In 2024 > Nicolas MULLER

In 2016 > Hugo PernetNatives

Located in the middle of the cemetery, Boujeons church is a small church whose bell tower-porch, covered with a red metal talevanne, blazes in the sun while the glazed tiles of its imperial roof sparkle. Largely rebuilt in the 19th century (the bell tower in 1810 and the nave in 1843) it has preserved almost nothing of the original 17th century building.
The bell tower-porch opens onto a single nave separated from the liturgical choir by a pre-choir bay. The choir has a cul-de-four vault, the front choir is covered by a groined vault and the nave by a ceiling. The whole is lit by eight stained glass windows: two with geometric motifs illuminate the front choir and among the six which illuminate the nave, only two represent characters, one with Saint Joseph and the other with the Virgin. The decor is modest and the absence of furniture gives this small building a bare appearance. Here there is no altarpiece covered in gilding, no twisted columns or theatrical decor, no pulpits to preach to the sculpted panels…, apart from a few statues the church is bare.
Among the statues, the presence of a Virgin and Child, probably from the 17th century, should be highlighted. This seated Virgin holding a laughing Child Jesus on her knees reflects more the image of the happiness of the young mother with her child than that of the mother of a child-god.
The Nativity of the Virgin is the name of the church, but it is also the subject of the painting which is today in the choir after having been above the entrance door. It is undoubtedly a work from the end of the 18th century, inspired by apocryphal sources such as the Protevangelium of James and the Gospel of Pseudo-Matthew.

GPS : 46,748778 / 6,204610

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Sites Sites 2016

Labergement-Ste-Marie - Chapelle Saint-Théodule

Labergement-Ste-Marie - Chapelle Saint-Théodule
Chapelle Saint-Théodule - Commons
Chapelle Saint-Théodule - Commons

In 2016 > John M. ArmlederINVISIBLE

Located at a place called Grange-Neuve, at the foot of the Grand-Côte forest massif, this chapel was built in 1861, taking over from a chapel already dedicated to Saint Théodule, called “de Villamont”, destroyed during the Revolution at the same time as the other buildings of the abbey of Mont-Sainte-Marie.
Of modest dimensions, it consists of a bell tower-porch, a nave, a choir and a small sacristy projecting outside the latter. Inside, three stained glass windows celebrate Saint Anthony, the education of the Virgin and, for that of the choir, the life of Saint Théodule, and in particular the two miracles attributed to him, a multiplication of grapes in Switzerland and the deliverance of a prisoner. Saint Théodule, patron saint of Valais winegrowers, is also celebrated by a statue and a painting.

GPS : 46,785110 / 6,271414

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Montperreux - Chapelle N.D. de Lourdes

Montperreux - Chapelle N.D. de Lourdes
Chapelle de Montperreux - Commons
Chapelle N.D. de Lourdes - Commons
Chapelle N.D. de Lourdes - Commons

In 2022 > Lyse Fournier

In 2016 > Benoît BillotteClaire-voie

Located on a belvedere at an altitude of 1000 meters at a place called “Le Perreu”, this chapel was built following a wish made by Joseph Marcellin Gellion, priest in Montperreux in 1871. This period was marked by the Prussians invading the region, this priest and the parishioners vowed to build a chapel dedicated to Our Lady of Lourdes if the Virgin protected the parish. Their prayers were heard and no death occuted, no fighting, no destruction, no damage to people and homes during the war of 1870 in this town. Father Gellion died in 1873. Since the wish was granted, it was his successor, Father Auguste Donat Paquette, who undertook construction in 1889.
The stone was extracted from a quarry in the commune and the timber felled from a communal forest. Parishioners offered a certain number of days to prepare these materials for a contractor. All these acquisitions and constructions were carried out thanks to the generosity of many people. Our Lady of Lourdes was installed inside as well as a communion table made by Father Paquette. At that time, there was great devotion to the Virgin in this place. Several times a year a mass was celebrated there. For many years, the faithful went there in procession on August 15 for the blessing of children or at rogations in order to pray for the protection of the goods of the Earth aswell as in the month of May to recite the rosary. In 1983, lightning struck the bell tower as a warning not to forget this oratory and to restore it. In 1984, work was carried out: reconstruction of the local stone bell tower, replacement of the bell and installation of a door with a protective canopy.

GPS : 46,828923 / 6,342161

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Le Crouzet - Chapelle Sainte-Anne

Le Crouzet - Chapelle Sainte-Anne
Chapelle du Crouzet - Pmau / Commons

Chapelle du Crouzet - Pmau / Commons

In 2022 > Geneviève Petermann

In 2016 > Peter RöselFeigenblatt, Feuille de figuier

Conveniently located in the center of the village of Crouzet, Sainte-Anne chapel is a small building covered by a gable roof topped by a pinnacle with an imperial roof. Despite some repairs carried out at the end of the 19th century, it still presents its primitive, rustic appearance. It consists of a single, blind nave covered by a barrel vault like the choir from which it is separated by a wooden grille serving as a rood screen carrying Christ on the cross, a statue of the Virgin and one of Saint John.
The wall of the apse is accompagnied by a traditional and curious altarpiece: 2 twisted columns on pedestals around which vine branches and bunches of grapes are pecked by birds support an entablature surmounted by 3 half-length sculptures and leaning on capitals with acanthus leaves.
Between these two columns a large painting representing the Education of the Virgin by Saint Anne with, at the bottom right, a church which may be the Sainte Anne chapel and the date 1692, without signature. Cherubs appear among the clouds. The whole thing is completely rustic and naive and could have been made by a local craftsman who imitated the altarpiece of a nearby building. But the dating remains uncertain, the date of 1692 of the altarpiece being undoubtedly only an indication of the construction of the chapel.

GPS : 46,703279 / 6,137415

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Chaux-Neuve - Église Saint-Jacques et Saint-Christophe

Chaux-Neuve - Église Saint-Jacques et Saint-Christophe
Eglise de Chaux-Neuve - Commons
Eglise de Chaux-Neuve - Commons

In 2022 > Charlotte Moth

In 2016 > Hugo Schüwer-BossEntrelacs

The Church of Saint-Jacques and St-Christophe de Chaux-Neuve were consecrated on March 19, 1487 by Monsignor Henri Potin, bishop of Philadelphia, suffragan of Monsignor Charles de Neufchâtel, archbishop of Besançon. Enlarged over time, the last modification (the construction of the belltower) dates from 1686.
A church remarkable for its richness and its interior architecture, it has been listed in the Supplementary Inventory of Historic Monuments since 1926. Many pieces of furniture are classified as Historic Monuments (6 altarpieces, baptistery, wooden panels painted on both sides, pulpit, statues of St Peter in alabaster, of St Joseph in polychrome wood, wooden Calvary, bench of the faithful…). All ribbed vaulted with highly decorated bases, it has an important and varied heraldic decoration, in particular a magnificent coat of arms of the Habsburgs, owners of Franche-Comté for two centuries and several coats of arms of the Chalons.

GPS : 46,680515 / 6,132335

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Sites Sites 2016

Jougne - Chapelle des Forges

Jougne - Chapelle des Forges
Chapelle des Forges - Commons

In 2016 > Christelle FillodNightlight-Vadso 2016

There are no less than three religious buildings in Jougne which are dedicated to Saint-Maurice, this Roman officer who, according to tradition, was executed in Martigny in the 3rd century with the 6,500 men of the Theban legion for having refused to massacre the local Christian populations: the church of Jougne, the 12th century chapel of La Ferrière and this chapel.
We know neither the date nor the circumstances of the construction of this second, relatively recent Saint-Maurice chapel. It is a simple, rectangular building, attached to a private house, in the village, at the edge of the road which crosses it: a small entrance porch opens onto a single nave separated from the choir by a wooden communion table; a ceiling covers the nave and the choir.
Semi-circular windows illuminate the whole. In the choir, an altar (18th century) whose altarpiece is decorated with two gilded wooden statuettes. This rather modest set of furniture probably comes from an older building.
A Stations of the Cross (19th century engravings), two plaster Saint-Sulpician statues, a harmonium and wooden benches make up most of the furniture and decor of this chapel.

Text by Joël Guiraud

GPS : 46,742286 / 6,379773

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Sites Sites 2016

Les Grangettes - Église de la Nativité-de-Saint-Jean-Baptiste

Les Grangettes - Église de la Nativité-de-Saint-Jean-Baptiste
Eglise des Grangettes

In 2016 > Delphine ReistLES MINUTES MÉCANIQUES

The first church of the village of ‘Grangettes’ was built in 1635. Restored and remodeled over the centuries, it still stands today in the middle of the cemetery, facing Lake Saint-Point. It consists of a square bell tower (17th century) covered by an imperial roof opening onto a vessel with three naves of two groin-vaulted bays and a choir with a flat apse covered by a vaulted ceiling.
The choir and the side aisles are lit by 6 bays with figurative stained glass windows made by the master glassmaker Alfred Georgeon (20th century). Buttresses reinforce the building on the exterior. This small church is equipped with interesting wooden liturgical furniture made in the 18th century by carpenter-sculptors, certainly local, who integrated the particularities of the Baroque style to reinvent a Baroque religious art of Haut-Doubs. The entire main altar-altarpiece, in painted and gilded carved wood, is a good example of this Haut-Doubs baroque combining the architectural vocabulary of antiquity with cherubs and scenes from the Bible.

Text by Joël Guiraud

GPS : 46,828083 / 6,311879

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Sites Sites 2016 Sites 2018

Brey-et-Maison-du-Bois - Chapelle Sainte-Barbe

Brey-et-Maison-du-Bois - Chapelle Sainte-Barbe
Chapelle Sainte-Barbe

In 2018 > Le FRAC avec Rodolphe Huguet9 erreurs

In 2016 > Séverine HubardBis bizz, la chapelle aux insectes

The chapel at Maison du Bois is named after Saint Barbara, patroness of dangerous professions or work causing violent death such as : artillerymen, sappers, miners and firefighters. She is traditionally represented with the tower in which, according to legend, her father had her locked up. Built in the 17th century, this chapel was for a long time a place of prayer and pilgrimage, before falling into disuse after the First World War.
In 1941, parish priest Father Humbert restored the chapel to its former glory as a sign of gratitude for the return of prisoners held in Germany. He also bought a small bell for the village church which was installed in the bell tower built in 1948.
This chapel, restored in 2013 by the municipality of Brey and Maison du Bois, consists of a single nave. In the choir space stands a small wooden high altar with a rotating tabernacle and a statue of Saint Barbara. The structure is covered by a two-sided roof and crowned with a small bell tower.
A monumental stone cross, erected in the 15th century, is attached to the chapel. It is decorated with two sculptures, one of which is an identical reconstruction of the original (disappeared in 1980) created during the rehabilitation of the chapel in 2013.

GPS : 46,739577 / 6,230343

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Sites Sites 2016

Malbuisson - Église Saint-Claude

Malbuisson - Église Saint-Claude
Eglise de Malbuisson - Commons

Eglise de Malbuisson - Commons

In 2016 > Jacqueline BenzD’autre part

The Malbuisson church is a 17th, 18th and 20th century church. It is dedicated to Saint Claude. It was built in 1732 on the banks of Lake Saint-Point (also called “Lake Malbuisson”) on a primitive chapel from 1618 and on the foundations of an old chapel from 1705.

GPS : 46,801513 / 6,307757

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Sites Sites 2016

Métabief - Église de la Présentation-de-Notre-Dame

Métabief - Église de la Présentation-de-Notre-Dame
Eglise de Métabief - Commons

In 2016 > Dominique PetitgandLes cordes vocales

The parish church named after the Presentation of Notre-Dame was built in the 19th century (1843) to replace an older chapel located inside the cemetery. Made up of a square bell tower, a single nave and a choir, this church follows a usual 19th century layout: a copy of models from past centuries. We can highlight the presence of a baptismal font in brown painted wood enhanced with gold. It is an element coming from an older building, perhaps from the old chapel.

GPS : 46,773372 / 6,351360